1746-1828 Goya is considered the 18th Century's foremost painter and etcher of Spanish culture, known for his realistic scenes of battles, bullfights and human corruption. Goya lived during a time of upheaval in Spain that included war with France, the Inquisition, the rule of Napoleon's brother, Joseph, as the King of Spain and, finally, the reign of the Spanish King Ferdinand VII. Experts proclaim these events -- and Goya's deafness as a result of an illness in 1793 -- as central to understanding Goya's work, which frequently depicts human misery in a satiric and sometimes nightmarish fashion. From the 1770s he was a royal court painter for Charles III and Charles IV, and when Bonaparte took the throne in 1809, Goya swore fealty to the new king. When the crown was restored to Spain's Ferdinand VII (1814), Goya, in spite of his earlier allegiance to the French king, was reinstated as royal painter. After 1824 he lived in self-imposed exile in Bordeaux until his death, reportedly because of political differences with Ferdinand. Over his long career he created hundreds of paintings, etchings, and lithographs, among them Maya Clothed and Maya Nude (1798-1800); Caprichos (1799-82); The Second of May 1808 and The Third of May 1808 (1814); Disasters of War (1810-20); and The Black Paintings (1820-23).   Related Paintings of Francisco Goya :. | Therese Louise de Sureda | La Gallina Ciega | Esto es lo peor | Last Communion of St Joseph of Calasanz | Leocadia |
Related Artists:
Pekka Halonen
Pekka Halonen (23 September 1865 - 1 December 1933) was a painter of Finnish landscapes and people. He was born in Lapinlahti. He lived with his family in a home and studio on Lake Tuusula in Järvenpää, Finland that he, himself, designed and named Halosenniemi. The beautiful and serene building is now a museum that includes original furnishings and Halonenes own art on the walls. There, on the shores of Lake Tuusula where Pekka Halonen resided, an artistse community developed and flourished, helping to develop a sense of Finnish national identity. Halosenniemi was designed with the two story studios of Paris in mind with high ceilings and tall windows in the studio and second floor living quarters accessible by a set of stairs and a balcony that overlooked the studio. Adjacent to the house, Halonen built a sauna and, in typical Finnish tradition, the sauna also served as a laundry. Halonen stated that he never painted for anyone but himself. He felt that eArt should not jar the nerves like sandpaper - it should produce a feeling of peace.e His father was a peasant from Lapinlahti. Halonen studied at the Art Society's drawing school in Helsinki. In 1890 he moved to Paris where he studied at the Academie Julian and later under Paul Gauguin. He died in Tuusula. There is a painting by Pekka Halonen in the post-impressionist section of the Museum of Fine Arts in Budapest, Hungary. Until May 2013 in the Groninger Museum, the Netherlands: Pekka Halonen, Eero Järnefeldt, Helene Schjerfbeck and Akseli Gallen Kallela in the exhibition 'Nordic Art: The Modern Breakthrough'.
Paulus Moreelse
(1571, Utrecht - 6 March 1638, Utrecht) was a Dutch painter, mainly of portraits. Moreelse was a pupil of the Delft portrait painter Michiel Jansz. van Mierevelt, who had himself been a pupil of Anthonie van Blocklandt. He took a study-trip to Italy, where he received many portrait commissions. Back in Utrecht, in 1596 he became a member of the zadelaarsgilde, which was the traditional name in Utrecht for the Guild of Saint Luke. In 1611, along with Abraham Bloemaert, he was one of the founders of a new painters' guild, called "St. Lucas-gilde", and became its first deken. Moreelse was a well known portrait painter who received commissions from right across the Dutch Republic. His earliest work dates to 1606. Other than portraits, he also painted a few history paintings in the Mannerist style and in the 1620s produced pastoral scenes of herders and shepherds. He belonged to the same generation as Abraham Bloemaert and Joachim Wtewael, and like Wtewael he played an important role in the public life of their city. His version of Diana and Callisto was engraved by Jan Saenredam. In 1618, when the anti-remonstrants came to power in Utrecht, he was raadslid.
Nicolas Mignard
(1606-1668) was a French 17th Century painter. He spent most of his active life in Avignon and was the older brother of Pierre Mignard. Nicolas Mignard was born in Troyes in 1606. There, he studied painting with a local master. After traveling to Fontainebleau, Mignard came to Avignon in 1632. He then traveled to Rome with Cardinal Archbishop of Lyon. Mignard came back to Avignon in 1636, after having executed multiple series of etching in Rome. There, he mostly painted for religious institutions. Mignard spent the end of his life in Paris, where he became a successful portrait painter. Mignard left Paris after a visit of King Louis XIV and his Court in Avignon. King Louis XIV decided to bring Mignard to Paris. Mignard eventually joined the Academie Royale. Mignardes spending most of his life in Avignon made his career somewhat overshadowed by his little brother Pierre, who was installed in Paris. After his death, paintings by Nicolas Mignard mostly stayed in Avignon or in small cities around Avignon. During the French Revolution, as these paintings were taken over, most of them were attributed to Pierre Mignard. His art is now rediscovered. His style is typical of the Italianate classicizing aesthetic that dominated seventeenth-century France, and obviously was very much influenced by French classical Baroque painter Poussin. Nicolas Mignard died in 1668 in Paris.